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XIII: Xezbr
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i. Xezbr
The thirteenth part of Serenade for the Dead.
My friend's name was Xezbr. He was an interesting fellow that, as I mentioned before, became obsessed with the Crown of the Nacajda. Whatever the reason was for this I could not tell.
We arrived in Runame, a small village in the country of Refeaël. The subject of Refeaël is something that we rarely talk about here in Lavu, and I shall do the same. Let's just say the very name of the country evokes a certain idea that we as Lavulese individuals are a bit uncomfortable with. That's putting it lightly. Anyway, we arrived in Runame, and the local government instantly sent their secret police after us. Like I said, we Lavulese hate Refeaël with a passion, so it's not often that people who live in the country meet travelers. We were quickly arrested and thrown into the local jail on no charges we could discern.
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Zeffon Renton, Washington
:9:9:9...
Don't you dare even tend to catalog what lurks ominously in the dark...
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supported by 4 fans who also own “Xezbr”
The first piece sounded like what I imagine the red eye storm of Jupiter sounds like with winds blowing hundreds of miles per hour that could shred through flesh like wet tissue. I heard a intriguing bass synthesizer in the background. The second track was more harsh noise with an angelic choir in the background and the final piece was a cacophony of machines. I really don’t like Harsh Noise Wall but I can’t deny that it is art because it can evoke an unsettling feeling. This was not to my taste
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The Medieval Master Art Mutant Is Creating A Clone In His Image
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supported by 4 fans who also own “Xezbr”
Bless me Father, for I have sinned. I love the beautiful sounds of this album but I don’t have a favorite song. I have a favorite title, it’s called “I Am An Idol, But You Can Call Me The Pope”.. p.s- The Pope Smokes Dope!
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supported by 4 fans who also own “Xezbr”
Learn from Nature and the brothers and sisters of Ignorance.
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Neba Neba
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Intricate, intense, and passionate free jazz from reedsman Patrick Shiroishi and drummer Dylan Fujioka.
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A disquieting, yet serene, reflection on industrial decay from the experimental New York-based composer.
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C. Diab describes “Exit Rumination” as “a sonic exorcism,” and its dark, swelling songs are equal parts catharsis and tension.
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