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Intro: Red 1
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i. Intro: Red 1
In my time here, I have experienced an amount of different things that are crucial for me to understand the nature of the universe. Since I believe this information to be important, not just from a scientific perspective, but also for the public. Remember, he who knows the least knows the most. Beware the man who speaks in the universe.
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Zeffon Renton, Washington
:9:9:9...
Don't you dare even tend to catalog what lurks ominously in the dark...
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supported by 4 fans who also own “Welcome!”
The first piece sounded like what I imagine the red eye storm of Jupiter sounds like with winds blowing hundreds of miles per hour that could shred through flesh like wet tissue. I heard a intriguing bass synthesizer in the background. The second track was more harsh noise with an angelic choir in the background and the final piece was a cacophony of machines. I really don’t like Harsh Noise Wall but I can’t deny that it is art because it can evoke an unsettling feeling. This was not to my taste
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The Medieval Master Art Mutant Is Creating A Clone In His Image
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supported by 4 fans who also own “Welcome!”
Bless me Father, for I have sinned. I love the beautiful sounds of this album but I don’t have a favorite song. I have a favorite title, it’s called “I Am An Idol, But You Can Call Me The Pope”.. p.s- The Pope Smokes Dope!
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Enter Your Horror Story
by Wings Of An Angel
supported by 4 fans who also own “Welcome!”
Learn from Nature and the brothers and sisters of Ignorance.
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Neba Neba
by Patrick Shiroishi & Dylan Fujioka
Intricate, intense, and passionate free jazz from reedsman Patrick Shiroishi and drummer Dylan Fujioka.
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Of Shadow and Substance
by Lea Bertucci
A disquieting, yet serene, reflection on industrial decay from the experimental New York-based composer.
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C. Diab describes “Exit Rumination” as “a sonic exorcism,” and its dark, swelling songs are equal parts catharsis and tension.
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